Iago as a Satan Figure in Shakespeares Othello Essay -- Othello essay

Iago as a Satan Figure in Othello The play Othello by William Shakespeare is based on an Italian story in Giraldi Cinthios Hecatommithi (Groliers). In Othello we encounter Iago, one of Shakespeares most evil characters. Iago is an ensign in Othellos army and is jealous of Cassios promotion to Lieutenant. Through deception and appearance, we see unfolded a plethora of lies and clever schemes. The astonishing thing about Iago is that he seems to deem up his malicious schemes as he goes along without any forethought. tell writer Samuel Taylor Coleridge describes Iagos plan as motive-hunting of a motiveless malignity (Scott 413). Iago seizes both opportunity to further advance his plan to his advantage. Greed plays a study role as a motive for his various schemes. Throughout the story, Iago portrays himself as a Satan figure. In many ways, Iago can compare with Satan. Iago, same Satan, has proved himself to be a master at deception. He lies to everyone taking great care to disg uise his own thoughts. For example, in Act 1, facial expression 2, when he is speaking to Othello about his feelings toward Cassio, he uses very strong linguistic communication of a manly soldier, while at the same time, he lies throughout the whole speech faking loyalty to a fellow soldier and all told the while implying that he is reluctantly holding back the full justness I had rather have this tongue cut from my mouth/ Than it should do offense to Michael Cassio (I.ii.21-22). This deception impresses and inclines Othello that his ensign is a good and loyal soldier. Iago excessively succeeds in deceiving Cassio. After Cassios drunken fight, Iago counsels him to speak to Desdimona about trying to convince Othello to reinstate him as lieutenant, all th... ... to refer to him as, He says I am the I AM. . . (Ex. 314). Iago says that he is the I am not. He is, in essence, the exact reverse of God. As we have seen, metaphorically and by example, Iago has proven to be the epitome of evil in that he uses the same manoeuvre that Satan does to get what he wants. Works Cited Carey, Gary M.A. Cliffs Notes. Cliffs Notes Incorperated. Lincoln Nebraska,1980. Holy Bible. upstart American Standard Version. The New Grolier Multimedia Encyclopidia. Rel. 6. CD-ROM. Online Computer Systems Incorperated. 1993. Scott, Mark. Critical Interperatation of Othello. from Shakespeare for Students. Detroit, dough Gale Research Incorperated, 1992. 411-457. Shakespeare, William. Othello, The Moor of Venice. from Literature and the Writing Process. McMahon, Day, Funk. Prentice-Hall Publishers New Jersey, 1996. 864-947.